Music in the USA : a Documentary Companion. (eBook, 2008) [Texas Group Catalog]
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Music in the USA : a Documentary Companion.

Music in the USA : a Documentary Companion.

Author: Judith Tick; Paul Beaudoin
Publisher: Cary : Oxford University Press, USA, 2008.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Music in the USA: A Documentary Companion charts a path through American music and musical life using as guides the words of composers, performers, writers and the rest of us ordinary folks who sing, dance, and listen. The anthology of primary sources contains about 160 selections from 1540 to 2000. Sometimes the sources are classics in the literature around American music, for example, the Preface to the Bay Psalm  Read more...
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Details

Genre/Form: Criticism, interpretation, etc
Sources
Additional Physical Format: Print version:
Tick, Judith.
Music in the USA : A Documentary Companion.
Cary : Oxford University Press, USA, ©2008
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Judith Tick; Paul Beaudoin
ISBN: 9780198032038 019803203X 1281868221 9781281868220 9786611868222 6611868224
Language Note: English.
OCLC Number: 1058312296
Notes: 46. A Confederate Girl's Diary during the Civil War.
Description: 1 online resource (920 pages)
Contents: List of Illustrations; Introduction; 1540-1770; 1. Early Encounters between Indigenous Peoples and European Explorers; 2. From the Preface to the First Edition of the Bay Psalm Book; 3. Four Translations of Psalm 100 (Tehilim, Bay Psalm Book, 1640 and 1698, Watts); 4. From the Diaries of Samuel Sewall; 5. The Ministers Rally for Musical Literacy; 6. Benjamin Franklin Advises His Brother on How to Write a Ballad and How Not to Write like Handel; 7. Social Music for the Elite in Colonial Williamsburg; 8. Advertisements and Notices from Colonial Newspapers; 1770-1830. 9. "Christopher Crotchet, Singing Master from Quavertown"10. Singing the Revolution; 11. Elisha Bostwick Hears a Scots Prisoner of War Sing "Gypsie Laddie"; 12. A Sidebar into Ballad Scholarship: The Wanderings of the "Gypsy Laddie"; 13. William Billings and the New Sacred Music; 14. Daniel Read on Pirating and "Scientific Music"; 15. Turn-of-the-Century Theater Songs from Reinagle, Rowson, and Carr: "America, Commerce, and Freedom" and "The Little Sailor Boy"; 16. Padre Narciso Durán Describes Musical Training at the Mission San Jose; 17. Moravian Musical Life at Bethlehem. 18. Reverend Burkitt Brings Camp Meeting Hymns from Kentucky to North Carolina in 180319. John Fanning Watson and Errors in Methodist Worship; 20. Reverend James B. Finley and Mononcue Sing "Come Thou Fount of Every Blessing"; 1830-1880; 21. Thomas D. Rice Acts Out Jim Crow and Cuff; 22. William M. Whitlock, Banjo Player for the Virginia Minstrels; 23. Edwin P. Christy, Stephen Foster, and "Ethiopian Minstrelsy"; 24. Stephen Foster's Legacy; 25. The Fasola Folk, The Southern Harmony, and The Sacred Harp; 26. A Sidebar into the Discovery of Shape-Note Music by a National Audience. 27. The Boston Public Schools Set a National Precedent for Music Education28. Lorenzo Da Ponte Recruits an Italian Opera Company for New York; 29. Music Education for American Girls; 30. Early Expressions of Cultural Nationalism; 31. John S. Dwight Remembers How He and His Circle "Were but Babes in Music"; 32. George Templeton Strong Hears the American Premiere of Bee-thoven's Fifth; 33. German Americans Adapting and Contributing to Musical Life; 34. Emil Klauprecht's German-American Novel Cincinnati; oder, die Geheimnisse des Westens; 35. P.T. Barnum and the Jenny Lind Fever. 36. Miska Hauser, Hungarian Violinist, Pans for Musical Gold37. From the Journals of Louis Moreau Gottschalk; 38. The "Four-Part Blend" of the Hutchinson Family; 39. Walt Whitman's Conversion to Opera; 40. Clara Kellogg and the Memoirs of an American Prima Donna; 41. Frederick Douglass from My Bondage and My Freedom; 42. Harriet Beecher Stowe and Two Scenes from Uncle Tom's Cabin; 43. From Slave Songs of the United States (1867); 44. A Sidebar into Memory: Slave Narratives from the Federal Writers' Project in the New Deal; 45. George F. Root Recalls How He Wrote a Classic Union Song.

Abstract:

Music in the USA: A Documentary Companion charts a path through American music and musical life using as guides the words of composers, performers, writers and the rest of us ordinary folks who sing, dance, and listen. The anthology of primary sources contains about 160 selections from 1540 to 2000. Sometimes the sources are classics in the literature around American music, for example, the Preface to the Bay Psalm Book, excerpts from Slave Songs of the United States, and Charles Ives extolling Emerson. But many other selections offer uncommon sources, including a satirical story about a Yanke.
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