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상세정보
| 장르/형태: | Criticism, interpretation, etc History |
|---|---|
| 추가적인 물리적 형식: | Erscheint auch als Druck-Ausgabe |
| 명시된 사람: | Miku (Fictional character) Hatsune |
| 자료 유형: | 문서, 인터넷 자료 |
| 문서 유형 | 인터넷 자원, 컴퓨터 파일 |
| 모든 저자 / 참여자: | Keisuke Yamada |
| ISBN: | 9781501325953 9781501325946 9781501325960 9781501325984 1501325957 1501325981 9781501325977 1501325973 1501325949 1501325965 |
| 접근번호: | (DE-627)181508099X (DE-599)KEP049826026 (BLOOM)9781501325953 (EBP)049826026 |
| 메모: | Includes bibliographical references and index. |
| 설명: | 1 Online-Ressource (x, 114 pages) (112 pages). |
| 내용: | AcknowledgementsNotes on Japanese Names and TranslationsIntroductionPart I: SettingsChapter 1. Hatsune Miku and DTM CultureChapter 2. How Creative Is the “Playground”? Niconico, Piapro, and Dojin CirclesPart II: SupercellChapter 3. Supercell as a Creator GroupChapter 4. Supercell’s Musical Works and Visibility in Social Media Part III: PerformanceChapter 5. Hatsune Miku Fans’ Performative Acts CodaNotesReferences Index |
| 일련 제목: | 33 1/3 Japan |
| 책임: | Keisuke Yamada. |
초록:
"The lead singer on Supercell's eponymous first album is Hatsune Miku-a Vocaloid character created by Crypton Future Media with voice synthesizers. A virtual superstar, over 100,000 songs, uploaded mostly by fans, are attributed to her. Supercell is a Japanese creator music group with the composer Ryo leading ten artists, who design album illustrations and make music videos. These videos are uploaded onto Niconico and other video-sharing sites. By the time Supercell was released in March 2009, the group's Vocaloid works were already well-known to Niconico users and fans. This book explores the Vocaloid and DTM (desktop music) phenomena through the lenses of media and fan studies, looking closely at online social media platforms, the new technology for composing, avid fans of the Vocaloid character, and these fans' performative practices. It provides a sense of how interactive new media and an empowered fan base combine to engage in the creation processes and enhance the circulation of DTM works. 33 1/3 Global , a series related to but independent from 33 1/3 , takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more."
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